Along with being an iconic actress, Uma Thurman, 55, is also a stunning beauty. Beyond that, she’s the kind of confident celebrity who’s willing to pose in a bra and panties. That’s just what she did for a new photoshoot featured in CR Fashion Book.
Uma Is ‘Absolutely Stunning’ In Her New Body-Baring Pics
CR Fashion Book took to Instagram on Sunday, March 22, to share images from Thurman’s photoshoot. In one post that includes a gallery of shots, the second pic sees the star lying on the ground. Along with wearing black gloves and a white coat, she’s also slaying a bra and panties.
CR Fashion Book explains that her wardrobe for the photo includes a trench coat and panties from Chanel, gloves from Atsuko Kudo, shoes from Saint Laurent by Anthony Vaccarello and a bra from the stylist’s archive.
Another photo shows Thurman in the same ensemble and still on the ground, but with her knees up and her back lifted.
Fans loved the images, with one person leaving a comment, writing, “Unique Beauty!”
“She defies time 😍❤️,” another fan added.
A third social media user wrote, “Absolutely stunning!!!”
“Oh gosh she’s beyond💘,” came from another follower.
Someone else left a message, saying, “I know society promotes youth as the standard of beauty, but I think women get more beautiful as they age. It’s not just your physical appearance, which is stunning, it’s also the confidence that comes with maturity that shines through.”
‘To Call Her an Icon is Accurate, If Insufficient’
“Uma Thurman has spent more than three decades reshaping the silhouette of the modern screen heroine,” CR Fashion Book noted in their new piece about the star. “Her performances feel less like turns than tectonic shifts: the cool, dangerous wit of Mia Wallace in Pulp Fiction; the flinty, operatic resolve of The Bride in Kill Bill. Each role arrived with the force of reinvention, expanding the vocabulary of what a leading woman could be—cerebral without aloofness, formidable without surrender. … She is at once classical and subversive, disciplined yet unpredictable.”
“There is something architectural about her presence: tall, composed, edged with irony,” CR Fashion Book continued. “Directors have long framed her as a myth, but Thurman has always played the mortal within it—a woman alive to contradiction. … To call her an icon is accurate, if insufficient. Icons are fixed; Thurman has remained in motion — evolving, reassessing, returning on her own terms. In an industry that prizes novelty, she endures as something rarer: a legend who never stopped becoming.”
